有一次我们骑行在太行山南麓深处，停下歇息时，走进山西省长治市平顺县北社镇西社村，才发现这里有许多建筑精美的清末民初的大院子。听当地居民说，曹家大院是晋商分支潞商文化的杰出代表，建筑风格中西合璧，最值得一看。
There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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If ruling out the existence of a soulmate sounds unromantic, the biology of attraction points in the same direction.
They get copied into Slack DMs when onboarding a new teammate
“The family has been travelling for a few years now,” her office told the Guardian.